Sound Holes $40,000. Limited Availability |
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Christian Marclay
Christian Marclay is a New York based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. As a performer and sound artist Christian Marclay has been experimenting, composing and performing with phonograph records and turntables since 1979 to create his unique “theater of found sound.” A dadaist DJ and filmmaker, his installations and video/film collages display provocative musical and visual landscapes. He was born in California, raised in Switzerland and now works between New York and London. He has an extensive exhibition and performance record including solo exhibitions at the Philadelphia Museum of Art; the Museum of Contemporary Art, Chicago; Hirshhorn Museum and Sculpture Garden, Washington D.C.; the Venice Biennial; the Kunsthaus, Zurich; the Hammer Museum, Los Angeles. He is represented by the Paula Cooper Gallery in New York and White Cube in London.
In this work by Christian Marclay, Sound Holes, are not openings in the bodies of stringed instruments but instead industrially designed wall speakers installed in elevators, apartment buildings and the like. The artist explores the devices’ visual and functional properties in 21 beautifully toned photogravures, derived from photographs of sound holes found in Europe and the United States. The sound holes display a wide range of varying designs and patterns, and their basic configuration echoes the visual representation of actual sound waves. Their blank metallic and stone surfaces serve as barriers, dividing in a hierarchical way the speaker from the listener, and also serve as openings, providing avenues for communication.
Christian Marclay has made repeated visits to Graphicstudio researching and exploring several new projects including a series of unique cyanotypes. Utilizing the photogram technique (often with multiple exposures) he “draws” with cassettes and unfurled tape, exploring a range of compositional strategies in the intense blue of the cyanotype that are partly inspired by well known abstract painters. These unique prints have been realized in various dimensions: singles (22” x 30”), diptychs (44” x 30”), and very large scale images ( 99” x 51”).
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Copyright and Reproduction
The electronic images available on this site are subject to copyright and may be covered by other restrictions as well. The images are made available to the general public as a representation of work produced at USF Graphicstudio. Copy or redistribution in any manner for commercial use is not permitted. Anyone wishing to use any of these images for commercial use, publication, or for any purpose other than personal fair use must first request and receive prior written permission from the University of South Florida Institute for Research in Art. Please contact Director of Marketing and Sales Kristin Soderqvist at 813.974.5871 for more information.
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